Showing posts with label Hoxton. Show all posts
Showing posts with label Hoxton. Show all posts

Wednesday, 13 August 2008

Going To The Dogs

London Fields # 55
First published Inpress, Melbourne on 13 August 2008
NB: Each column has a name, but these do not appear in print; printed versions may differ slightly to those displayed here
Londoners often tend not to know what they’ll miss until it’s lost. So when one of the first initiatives of new London mayor Boris Johnson was to ban the consumption of alcohol on all public transport, wags used Facebook to organise a number of giant booze-ups on the Circle Line for the last night of legal drinking. Predictably, it all went awry, leading to chaos, closed lines, and arrests.

A few weeks later, waiting with my shopping for a (now booze-free) bus outside Walthamstow Central station, a family of rats frolicked playfully around my feet. You can’t live in London long without someone helpfully reminding you that you’re never more than fifteen feet away from a rat in central London, but the exuberance of this lot was something else. As I got off the bus in the middle of the local estate, I was greeted by the all-too-familiar sound of a police siren. I looked up and down the street, as did others also waiting to cross, but there wasn’t a cop car to be seen. Then we realised that the ‘siren’ was emanating from ten year old lad, sitting astride his BMX. This junior Michael Winslow’s rendition was so uncannily accurate (including the switches in tone used to get through heavy traffic) that people looking for the police car broke into hails of laughter as they realised its source. Like a bowerbird imitating what it hears, this lad had captured the sound of the London streets.

While a wail of a siren is a modern soundtrack, so many symbols of the old East End have disappeared from the streets. Some changes are a reflection of its changing emigrant culture; others are due to financial pressures. It’s been many years since I heard the ringing school bell and cries of “any old iron” from the scrap metal man, and even longer since I last saw (or heard) the clip-clop of the horse and cart of the rag and bone man (as immortalised by Steptoe and Son). With a large influx of followers of religions which shun alcohol, many of the smaller local boozers have closed and been converted into flats. Very few pie and mash shops, which sell the traditional jellied eels, remain. Greasy spoons are one of the remaining stables of the East End, but the price of a fry up has risen 15% in the past year, according to a report in The Sun.

And next Saturday, Walthamstow Stadium, an iconic landmark and a centre of greyhound racing in the capital for 75 years, will close its doors for the last time. Last May the Chandler family, who have owned and run the track since it opened in 1933, sold the 8.1 acre site to developers for the construction of new-build flats. So I spent last Saturday night at the dogs. This is not the world I usually inhabit; in the bar they’re playing Phil Collins’ Against All Odds and Chicago. Sitting in the seats of the grandstand around me are four generations of the same family, brought together by something that will soon be another lost relic of the old East End. It’s a real mix; young couples on dates, old couples, children, Hoxton haircuts - all gathering as an era ends. The stadium also has a place in rock history, as all the photographs of Blur’s breakthrough album Parklife were taken here.
No matter what happens, the beautiful neon frontage, the East London equivalent of the Nylex or Skipping Girl Vinegar signs will be saved, as it was listed by English Heritage last year. But it will become a façade with no heart behind it. The closure will also mean the loss of hundreds of jobs for local people. While there are two rescue packages on the table and a big protest march planned for the lunchtime on Saturday, at this stage the only hope seems to lie in the developers fretting over the slump in the housing market.
For The Stow, as it’s affectionately known, is one of the few places of entertainment in this impoverished ‘Olympic’ borough. Waltham Forest remains the only London borough without a cinema, since the local Odeon closed early this decade; it now lies rotting as they decide what to do with it. And the horrible giant 3.7 metre TV screen that the council have just installed this week in the Town Square, to show both the Chinese and 2012 Olympics every day from 7am to 11pm, is no replacement.
Even local MP, Neil Gerrard, a former greyhound racer himself, can’t really see the council opposing the development, reports the Waltham Forest Guardian, as it fits into the social housing agenda. But he also said, “We don’t need housing at the expense of everything else, especially the biggest leisure facility in Walthamstow”. Over twenty greyhound stadiums have closed around the country in the past ten years, but The Stow was the jewel in the crown. Next week, London will only have tracks remaining at Wimbledon, and in Romford, Essex. While the opponents of greyhound racing may applaud its closure, there’s a part of me that’s very sad about it. For this is another part of London that will be irretrievably lost, and once again, people may only realise what they had once it’s gone forever.


© James McGalliard 2008

Wednesday, 14 December 2005

A Rough Guide

London Fields # 21
First published Inpress, Melbourne on 14 December 2005

NB: Each column has a name, but these do not appear in print; printed versions may differ slightly to those displayed here

"Does Camden Town really exist?" she asked me. It’s just after Faker have finished their final gig of their UK Tour [bottom of a bill of three acts on a quiet Wednesday night], and I’m talking to a 19 year old who’s only been in London a few weeks. "Well, I think I was there the other night", she continues, "but I can’t be sure if it was real or if I dreamed it…"

Camden used to be fabulous, a weird hybrid of Fitzroy and St Kilda. But no more - now you can’t get five paces without the ubiquitous offers of "skunkweed". It’s a journey to a destination, not a place to hang out in. Hoxton’s a much better bet, if you can cope with the coolsie factor.

Then she asked, "Are the Carling Venues the places to go?" The Melbourne equivalent would be "Can I catch upcoming acts cheap at The Metro and The Palace?" Some Aussies come to London and choose to live in SANZA share houses, get their news from TNT (a magazine for Antipodean travellers), and the Metro (a freebie morning tabloid, produced by Express Newspapers), go to Aussie pubs, and listen to JJJ on the internet. (By the way, SANZA is a horrible TNT-created acronym – lumping together all English conversant Southern Hemisphere travellers into the one basket – South Africa, New Zealand and Australia. Eek!). And of course, this lot go and see Aussie bands. In fact, now that you get pints in Melbourne pubs, some of them may as well have never left Australia at all.

But in deference to those seeking more, and as a Yuletide special, here are some handy hints which you may not find in your Lonely Planet or Let’s Go, especially for those who are making travel plans for a UK trip in 2006.

Gig Tickets. Beware of the sting of booking fees and postage costs – even though normal ticketing agents, a £12 ticket can easily jump to a £20 outlay. The trick is to buy in person, where possible. You can get tickets at face value for all Mean Fiddler venues from the Camden Ticket Office or Astoria box office, and the same applies at the Academy box offices for their venues. Of the agents, Stargreen are the best by far – reasonable fees, and friendly people. For some venues [Barfly, Scala] there is no place to buy without fees, so it’s a case of shopping around for the best deal. But don’t take too long as gigs are selling out in minutes, snatched by those hoping to turn a quick profit on eBay. To stand a hope, sign up for ticket alerts [Get Live, Ticketmaster, and Ticketweb] as these often offer gig presales.

Mailing lists are a great way to save money and find out what’s happening. Sign up to those from The Barfly, Plum Promotions [for The Marquee, Water Rats and Betsey Trotwood] and The Social. Check the websites for Bugbear Bookings [for Dublin Castle and The Hope and Anchor] and Up All Night Music for bands further down the pecking order. To save money, check the HMV and Virgin Megastore websites for free instore appearances. Join Artrocker – if you want Aussie bands, you could have seen Wolf & Cub, Love of Diagrams, Sinking Citizenship, Die! Die! Die! and The Grates, all for free in the last year alone. To find out what’s new, listen to BBC 6Music, or try XFM in the evenings. Also keep an eye on the websites Drowned In Sound, Sounds XP and Club AC30.

For a comprehensive 'What’s On', there’s nothing to beat Time Out. NME is no longer worth buying, but is worth flicking through for the live ads. Get The Guardian on a Saturday for The Guide. Try reading The Independent to get an overview of where you are, and what’s happening in the world. Eat at a caff and read their copy of The Sun – with three million copies sold a day it’s a window onto aspects of British life. As for music shopping, HMV is huge, and tempting, but Fopp is cheaper. There are some great second-hand shops, but you can find them for yourself…

Finally, don’t spend all your time in the capital; London is not the British Isles, or even England. Try living in Bristol, Manchester, Glasgow or even Dublin. They all have enough to offer that’s unique and interesting, and are large enough to get many of the acts that people stay in London to see.

I know a few people who have gone back to Melbourne because this place just really got to them after a while. It’s like surfing with really big waves – when things are going well, the rush is incredible, but when you get dumped it’s ten times worse than anything you’ve experienced before. The overriding thing is not to let London drain you of your creativity and spark. When you feel it’s time to move on, just do it.

Good luck and happy travels!


© James McGalliard 2007